The full report from the Unsecurities Lab Cycle 1 workshop can be viewed here
The Unsecurities Lab
Immersive Art as a Research Environment for Security Innovation
Immersive Art as a Research Environment for Security Innovation
Here are the details for the labs in Series 1
This Lab centred on two immersive artworks by Joey Holder: Charybdis, which visualises disrupted communication and deep-sea security ecologies and Abiogenesis, which imagines emergent life forms and synthetic planetary intelligence. Participants worked through both speculative analysis and structured scenario-building.
Questions explored:
Key insight:
Security cannot be separated from the forms of perception that shape it. Disorientation, non-recognition, and speculative presence all challenge the operational boundaries of current security models.
“We all have these structures within which we construct meaning. If the artwork makes participants question or destabilize their usual frames of reference, then it's working.”
More on Unsecurities Lab Workshop 1This Lab focused on LUMI, a film by Jussi Parikka and Abelardo Gil-Fournier, which imagines a climate-AI tasked with restoring the cryosphere using archival images of snow and ice. The AI repaints the landscape according to limited visual training, raising questions about data quality, automation, and aesthetic influence.
Questions explored:
Key insight:
The promise of automated restoration can obscure deeper systemic risks, particularly when aesthetic coherence replaces ecological understanding. Recognising the entanglement of sensing, power, and repair is crucial for navigating emerging techno-environmental infrastructures.
A news item detailing the event which took place on the 10th July, can be found here
More on Unsecurities Lab Workshop 2The next iteration of the Lab will explore environment as critical national infrastructure, addressing the intersections of ecology, energy, data, and territory.