| AUTHOR | TITLE | VOLUME | PAGES | 
	| P | 
	| Palmer, Barbara | Cycling through High Water to Hell      
		Find | 29 | 89–103 | 
	| Parry, David | The York Mystery Cycle at Toronto, 1977     
		Find | 1:1 | 19–31 | 
	| Parsons, Ben & Bas Jongenelen | ‘In Which Land Were You Born?’: Cultural Transmission in the Historie van Jan van Beverley     
		Find | 34 | 30–76 | 
	| Pelt, Nadia Thérèse van | Early English Spectatorship and the ‘Cognitive Turn’      
		Find | 38 | 100–114 | 
	| Pettitt, Thomas | Carnevale in Norwich, 1443: Gladman’s Parade and its Continental Connections       
		Find | 39 | 35–76 | 
	| Pettitt, Thomas | Protesting Inversions: Charivary as Folk Pageantry and Folk-Law       
		Find | 21 | 21–51 | 
	| Pettitt, Thomas | ‘This Man is Pyramus’: A Pre-history of the English Mummers’ Plays        
		Find | 22 | 70–99 | 
	| Pettitt, Thomas | Tudor Interludes and the Winter Revels        
		Find | 6:1 | 16–27 | 
	| Piccat, Marco | The figure of Antichrist in the 16th-century Italian Mystery Play: Lo Judicio de la Fine 
		del Mondo (Mondovi, 1510)        
		Find | 11 | 66–84 | 
	| Pietrini, Sandra | Medieval Fools in Biblical Iconography       
		Find | 24 | 79–103 | 
	| Pietropoli, Cecilia | The Characterisation of Evil in the Towneley Plays        
		Find | 11 | 85–93 | 
	| Portillo, Rafael, and Manuel Gomez Lara | Vestiges of Dramatic Performances of the Passion in Andalusia’s Holy Week Processions       
		Find | 8:2 | 119–131 | 
	| Price, Jocelyn | Theatrical Vocabulary in Old English: A Preliminary Survey (1)       
		Find | 5:1 | 58–71 | 
	| Price, Jocelyn | Theatrical Vocabulary in Old English (2)      
		Find | 6:2 | 101–125 | 
	| Putzel, Steven and J.Reed Needles | Toronto, the Pageant Waggon       
		Find | 1:1 | 32–33 | 
	| Q | 
	| Quirante, Luis | The City in the Church: The Consueta De Santa Agata      
		Find | 14 | 22–36 | 
	| R | 
	| Ragusa, Isa | Goethe’s ‘Women’s Parts Played by Men in the Roman Theatre’       
		Find | 6:2 | 96–100 | 
	| Ragusa, Isa | The Princeton Index of Christian Art      
		Find | 4:1 | 56–60 | 
	| Rastall, Richard | Female Rôles in All-Male Casts       
		Find | 7:1 | 25–51 | 
	| Robinson, Olivia & Aurélie Blanc | The Huy Nativity from the Seventeenth to the Twenty-First Century: Translation, Play-Back, and Pray-Back       
		Find | 40 | 62–93 | 
	| Rogerson, Margaret | Rediscovering Richard Eurich's ‘York Festival Triptych’      
		Find | 23 | 3–16 | 
	| Rose, Martial | The Magi: The Litter and the Wristed Crown       
		Find | 5:1 | 72–76 | 
	| Runnalls, Graham | Jean Fouquet’s ‘Martyrdom of St Apollonia’ and the Medieval French Stage       
		Find | 19 | 81–100 | 
	| Runnalls, Graham | Records of Early French Drama: Archival Research on Medieval French Theatre       
		Find | 17 | 5–19 | 
	| Runnalls, Graham | Were They Listening or Watching? Text and Spectacle at the 1510 Châteaudun Passion Play       
		Find | 16 | 25–36 | 
	| Runnalls, Graham and Sarah Carpenter | The Entertainments at the Marriage of Mary Queen of Scots and the French Dauphin François, 
		1558: Paris and Edinburgh      
		Find | 22 | 145–161 | 
	| Rycroft, Eleanor | The Play of The Weather in Performance in the Great Hall at Hampton Court     Find | 31 | 13-27 | 
S | 	| Salvador-Rabaza, Asuncion, and Pamela M. King | La Festa d’Elx: The Festival of the Assumption of the Virgin, Elche (Alicante)       
		Find | 8:1 | 21–50 | 
	| Salvador-Rabaza, Asuncion, and Pamela M. King | The Festa or Misteri of Elx: A Modern Translation of the Sung Text       
		Find | 14:1 | 4–21 | 
	| Scattergood, John | ‘Familier and homely’: the intrusion and articulation of vice in Skelton’s 
		Magnyfycence       
		Find | 27 | 34–52 | 
	| Scattergood, John | Skelton’s Magnyfycence and the Tudor Royal Household        
		Find | 15 | 21–48 | 
	| Sergi, Matthew | Beyond Theatrical Marketing: Play Banns in the Records of Kent, Sussex, and Lincolnshire        
		Find | 36 | 3–23 | 
	| Sergi, Matthew | Festive Piety: Staging Food and Drink at Chester       
		Find | 31 | 89–136 | 
	| Skey, Miriam | Festival Waggons in Japan        
		Find | 2:2 | 74–79 | 
	| Somerset, Alan | ‘Beginning in the Middle …’: Warwickshire Locations and Families, as Audiences for Early Modern 
		Music and Drama        
		Find | 20 | 77–95 | 
	| Spence, Michael & Philip Butterworth | William Parnell, supplier of staging and ingenious devices, and his role in the visit of Elizabeth Woodville to Norwich in 146        
		Find | 40 | 7–61 | 
	| Steenbrugge, Charlotte | Books of Accounts in Everyman and Elckerlijc      
		Find | 33 | 19–44 | 
	| Steenbrugge, Charlotte | ‘I Speke so Miche to 3ow’: Authority, Didacticism, and Audience Address in Middle English sermons and morality plays      
		Find | 38 | 84–99 | 
	| Steenbrugge, Charlotte | ‘O, yowr louely wordys’: Latin and Latinate Diction in Mankind     
		Find | 31 | 28–57 | 
	| Stewart, Alan | ‘Ydolatricall Sodometrye’: John Bale’s Allegory       
		Find | 15 | 3–20 | 
	| Stokes, James | The Beccles Game Place and Local Drama in Early North-East Suffolk        
		Find | 39 | 77–102 | 
	| Stokes, James | The Lesser Patrons of Greater Somerset: Minor Sponsorship and Local Records        
		Find | 13 | 18–26 | 
	| Streitberger, W.R. | Court Performances by the King’s Players, 1510–1521        
		Find | 14 | 95–101 | 
	| Streitberger, W.R. | The Development of Henry VIII’s Revels Establishment         
		Find | 7:2 | 83–100 | 
	| Streitberger, W.R. | William Cornish and the Players of the Chapel        
		Find | 8:1 | 3–20 | 
	| Strietman, Elsa | Biblical Plays in the Low Countries       
		Find | 30 | 121–136 | 
	| Strietman, Elsa | Report on the Colloquium on Medieval Drama of the Low Countries ‘Middelnederlands Toneel’         
		Find | 5:2 | 81–82 | 
	| Strietman, Elsa, and Peter Happé | Three Dutch Rhetoricians Plays        
		Find | 26 | all | 
	| Suematsu, Yoshimichi | A Report on the Children’s Kabuki in Tonami and Lomatsu, Japan       
		Find | 22 | 59–69 | 
	| Surtz, Ronald E. | The Valencian Misteri del Rey Herodes: misogyny, politics, and caste conflict        
		Find | 24 | 32–43 |