Reflect on what it means to do criticism in a post-theoretical age. This module asks what happens to literary interpretation after all its many theoretical upheavals – from Marxism and feminism to postcolonialism and queer theory. Is it time to get back to the close reading of literature? Is there still room for pleasure, appreciation and creativity in the practice of criticism? We might question whether literature, in the traditional sense, even exists anymore.

You will pose these questions in relation to a range of traditional and non-traditional texts.

Critically engage with questions and debates about our socially connected lives and the ways in which we interact and act on the world through language and communication, individually and as a society, to shape knowledge and reality. In this module you will gain the skills and insight to ask questions which change each year but may include:

• How does communication work in our individual and collective lives?

• How might certain kinds of communication bring about ethical and political change (for example, by making something permissible or changing the boundaries of acceptable political discourse)?

• Are lying and other kinds of deception permissible, and if so, when and for whom?

• What does freedom of speech really mean, and how might duties and rights differ in this space for citizens, for the press, for politicians, for academics, and on social media?

• How can collective knowledge practices exclude or harm, do we have duties to address these problems, and what might work to do so?

• What is the nature and appropriate regulation of propaganda and hate speech?

• What are the ways in which patterns of attention and exclusion or inclusion in who we listen to and develop knowledge with may have ethical and political implications?

• What communicative protest and speech acts are legitimate in a democratic state?

You will leave this module with a better understanding of how practices of knowledge creation and participation, and of language and communication, may actively shape and determine the boundaries of our world, and with the skills to critically examine these forces in action across the media, social media, politics and society.

Explore literary criticism as it is now and what it may yet become. You will have the opportunity to consider a whole range of major theoretical and philosophical concepts, such as:

• The body
• Race
• Gender
• Violence
• Ecology
• God
• Time
• Death
• War
• Self
• The animal

You will study a range of fascinating modern thinkers, ranging from Marx, Freud and Nietzsche, through to more recent figures such as Simone Weil, Walter Benjamin, Jacques Derrida, Judith Butler, Fred Moten, Cornel West and Sara Ahmed.

Explore how philosophical thinking can tackle real-world problems, from personal dilemmas to global challenges, by linking abstract ideas to concrete decisions.

In this module you will engage with an applied philosophical challenge, using your philosophical skills to provide compelling reasons in favour of your solution. Through production of a short podcast or in-person presentation, you will also develop your ability to engage in philosophical argumentation beyond the written word. And along the way, you’ll gain the tools to think clearly, act responsibly, and engage thoughtfully with the complex world around you.

Specific topics studied each year draw on Lancaster’s wide range of applied expertise and may include:

• Ethics and regulation in traditional and social media, in the era of mass global communication and impact

• Bioethical topics such as euthanasia, rationing, ageism, research ethics and public health ethics

• Health and illness, the concept of mental health, and the role of lay or patient knowledge versus medical expertise

• Ethics in professional and organisational life, including divisions of roles, decent work, unpaid and care work, the rights and duties of corporations and employers and codes of ethics

• Study of different scientific methods and their limitations

Throughout this module you will learn about topics in applied philosophy, while developing and practicing some of the many transferable skills that Philosophy graduates bring to a wide range of professional roles, such as critical problem solving, political and ethical reasoning, the clear identification of problems, and the art of communicating potential solutions to diverse audiences.

What we call ‘American Literature’ and how we define America and ‘the American experience’ depends on who is writing and to whom. In this module you will encounter many different voices, many conflicting and contrasting views, a diversity of complex experience and a great range of writing in form and style.

You will explore such questions as: What role do different literary forms play in narrating the self? How does American writing seek to establish a new way of looking at the world? And how and why does literature help shape forms of protest and new critiques of modernity?

In the nineteenth and twentieth centuries, a new approach to philosophy began to emerge that questioned and interrogated the inherited western philosophical tradition from Plato to Kant. This new approach was later described as ‘continental’ philosophy.

In this module, you will discover some of the key thinkers from this continental tradition of philosophy. The particular philosophers will vary from year to year, but will include pioneering thinkers who have been particularly influential on later continental philosophers (for example, Hegel, Kierkegaard, Nietzsche and Wittgenstein) as well as more recent continental thinkers themselves (for example, Lyotard, Derrida, Levinas, Badiou, Žižek, Foucault, Arendt and Beauvoir). While engaging with their thoughts, we will consider difficult and enduring questions such as:

• What is the relationship between history and truth?

• How does subjective experience relate to universal truth?

• What is the significance of gender and embodiment in philosophical reflection?

• What is the role of language and discourse in philosophical claims?

• How might we conceive of the relationship between power and freedom?

On completion of this module, you will be able to understand and interpret the central arguments made by these thinkers and to assess their distinctive claims, methods and approaches and their continuing significance for philosophy and for how we ought to structure our societies and lives.

Exploring the adaption of literature to film and other media, this module focuses on the adaptation of literary texts to such forms as theatre, graphic novel, film, television, song, and game.

You will be invited to reflect on adaptation as a powerful and complex cultural process, one that interprets literature as well as adapts it.

Throughout the module you will normally complete either a critical essay on adaptation OR a creative project (plus short essay) that enables you to produce your own work of adaptation. This may take many forms -- written, (audio) visual, musical, digital, or three-dimensional and/or take the form of a game, production or performance, etc.

Explore a wide range of literature and drama from the medieval and early modern periods. The module situates medieval and early modern literature in its relevant historical and cultural contexts.

You will develop skills in the close reading of medieval and early modern texts.

Authors studied may include Chaucer, the Gawain poet, Margery Kempe, Mary Wroth, Sir Philip Sidney and Christopher Marlowe.

What does it take to have a mind? How does science work? Does human reason equip us to understand the external world? In this module we explore the nature of consciousness and reality, and the methods by which we understand them, focussing on key debates in the philosophy of mind and philosophy of science.

In the first part of the module, you will explore what it takes to have a mind, examining and critiquing some of the wide range of answers philosophers have offered to this intractable problem. Questions you will investigate include:

• What is the relationship between the mind and the brain?

• How do animal minds or artificial intelligence fit into our understanding of thought and consciousness?

• Can science ever provide us with a full understanding of how consciousness is possible?

The second part of the module turns to the nature of science itself. Modern science is often regarded as our most reliable guide to reality, but what justifies this status? In investigating the nature of science, you will learn about some of the most influential twentieth-century accounts of scientific method and theory-testing. Questions you will address include:

• How does science differ from non-science?

• Is there a scientific method?

• Should we believe in unobservable entities posited by scientific theories, such as quarks or superstrings?

• What are limits of scientific and rational inquiry?

Through wrestling with debates about the nature of consciousness, science, and the extent to which we can understand reality you will leave this module equipped with a greater understanding of some of the most difficult and enduring challenges in philosophy: what it is to be human, to have sentience, and how should we understand the vast body of scientific knowledge that shapes our collective world?

Create a portfolio of investigative and critical writing which explores a particular philosophical topic in depth.

In this module you will be guided with expert support from Lancaster philosophers to develop your philosophical and independent study skills. Through deep engagement with a specific topic you will develop your ability to assess philosophical arguments and make independent judgements, informed by reasoning and evidence. You will engage with a text, problem, figure or body of work chosen by an academic within the philosophy team at Lancaster who is a specialist on the topic and work with their expert support, in groups and independently.

Project topics offered each year will be drawn from one or more of Lancaster’s many areas of expertise, such as:

• Global philosophy
• Comparative philosophy
• Ethics
• Metaphysics
• Political philosophy
• Applied philosophy
• Social ontology and epistemology
• Philosophy of science
• Philosophy of mind
• The history of philosophy
• Feminist philosophy
• Continental philosophy
• Aesthetics

Completion of this module will equip you with the skills and knowledge you need for further independent writing in your final year of study.

Explore postcolonial literature across a wide historical span. Your study will move from the explosion of new national literatures in the era of decolonisation through to contemporary writing that interrogates the legacies of racism and imperialism in our globalised world.

You’ll read exciting major writers who defined the emergence of African, South Asian and Caribbean literature in English in the middle of the twentieth century. You’ll also encounter today’s new voices, grappling with the afterlives of empire.

Cutting through all our thinking will be the question of how literature serves, in Ngugi wa Thiongo’s phrase, as a means of 'decolonising the mind'.

Explore how ideas can be developed into real-world projects with lasting value. Through hands-on collaboration and problem-solving, you will develop innovative projects, learn how to bring ideas to life and explore ways to sustain them.

Whether you are working in a team or individually, you will be encouraged to experiment with different approaches to making a difference in artistic, cultural, social and community spaces.

The years of Queen Victoria’s reign (1837-1901) saw great social, political and cultural transformation. Changing social conditions, extraordinary scientific breakthroughs and the emergence of new technologies all altered the ways in which Victorians thought about themselves and their environment. The literature of the period responded resourcefully to the turbulent circumstances from which it emerged.

In this module, you will examine a wide range of Victorian writing, including novels, short fiction, poetry, drama and non-fictional prose and will explore and interrogate all the complexities of the Victorian age.

From music, film, and television to sports, fashion, and digital media, explore how cultural texts raise philosophical questions about identity, morality, power, and meaning, and examine how popular culture both reflects and shapes the way we understand ourselves and the world around us. In this module you will look at how philosophers have understood the production, circulation and reception of popular culture, and how it bears on our own autonomy, agency, power, and identity.

You will study themes which may include:

• Philosophical approaches to mass culture, cultural value, art, and aesthetic judgement

• Authorship, mass production, genre, kitsch, remix, and the ontology of reproducible artworks

• Identities, stereotypes, cultural appropriation, objectification, and other political issues in regard to popular culture and mainstream media

• The Frankfurt School on the culture industry and the critique of popular music

• Pragmatist, analytic and continental arguments for the aesthetic and social value of popular music, film, television and other forms

• Philosophical analysis of selected cultural artefacts as case studies – songs, films, novels, and visual art

In studying this module, you will gain an understanding of how philosophy provides tools for interpreting the stories we collectively tell and consume – and how those stories, in turn, influence our sense of self and the very fabric of the societies and world we inhabit.

Engage with a significant philosophical text or collection of texts, working with an academic philosopher on the topic of their live philosophical project and expertise. In this module you will:

• Read deeply

• Develop interpretations

• Make reasoned assessments

• Find and engage with secondary literature

• Contribute to contemporary understanding and critique of your text(s)

In student-led and discussion-based workshops, you will present your own philosophical interpretations and arguments, take part in guided debates, and work on a portfolio of critical readings. In doing so you will be joining the practice, shared by all professional philosophers, of contributing to the understanding and development of the field itself.

The specific text(s) you will work on will vary year by year, but will be drawn from the interests and expertises of Lancaster philosophy staff. They might include, for example:

• Work by philosophers whose work had, and continues to have, major impact, such as Immanuel Kant, John Stuart Mill and Harriet Taylor Mill, Hannah Arendt, J. L. Austin, or Iris Marion Young

• Work by significant contemporary philosophers such as Miranda Fricker, Peter Railton, Martha Nussbaum, or David Lewis

• Work from within a specific philosophical tradition, such as classical or modern Chinese philosophy, or work by nineteenth-century women philosophers.

One or more options will be offered each year.

In studying this module, you will deploy the skills you have developed in your first two years of study, gain in-depth knowledge of an important area of philosophy, and further sharpen your skills in reading, interpretation, and thoughtful response – critical skills for both postgraduate study and a range of post-study careers.

The final-year Dissertation is your opportunity to devise, research and explore a topic of your own choice through a programme of directed independent study. You will be helped to begin your thinking at the end of your second year and then, through your final year, you will develop your research, thinking and writing, as you build toward a substantial, self-directed project.

Almost anything is possible; for example, you could choose to explore famous literary names or themes, or research obscure figures and unusual topics. You might draw on the University Library’s special collections, or venture way beyond Lancaster to develop your research. Perhaps you will be inspired by the medievalism of historic Lancaster or the Romanticism of nearby Lake District or be drawn to the far textual shores of the digital world.

You can focus your work towards a professional career or build towards postgraduate study at master’s level. Finally, you can opt to write in classic literary critical styles or push the boundaries of literary study in new and startling ways.

Study the work of four giants of nineteenth-century British fiction: Jane Austen, Anne Brontë, Charlotte Brontë and Emily Brontë.

Focusing on questions of class, gender, power, environment and artistic technique, you will explore the tensions between Austen and the Brontes (south vs north, Regency vs Victorian, realism vs Gothic) and trace the imaginative continuities between them.

What is the contemporary? When did the present cultural moment start and how might it end. How do writers respond to the challenge, excitement, pressure and novelty of the ‘now’? And how is imaginative writing faring in the digital age?

You will consider these questions in relation to the work of such major authors as Ali Smith, Kazuo Ishiguro, and Colson Whitehead

Both the Gothic and science fiction emerged in response to the 18th century ‘age of reason’ and the Western world’s investment in logic and progress. The Gothic explores the terrors of the past and its return while science fiction imagines alternative futures; in doing so, both voice the concerns of the present.

You will study both classic literary texts and contemporary film and other media. Exploring what the Gothic and science fiction each do, rather than what they each are, you will consider how these genres address some of the most pressing questions facing contemporary Western culture.

Examining a wide range of texts and authors from early periods to the age of the climate crisis, this module will explore the many and various ways in which the non-human world is celebrated, championed and exploited by the literary imagination.

You will explore questions such as:

• What do we mean by the ‘the environment’?
• What experiences, meanings and values do we take from, or discover in our surroundings?
• How have writers characterised the environment and in what ways might the literary imagination be significant for contemporary environmental concerns?

The early 20th century explosion of literary experimentation known as Modernism was a movement informed by the catastrophe of the First World War, the convulsion that was the Russian Revolution and a host of dramatic developments in art, music, cinema, philosophy, theology, politics and science.

Alongside reading the literature of the time you will also consider various related artistic movements such as Dadaism, Surrealism and Vorticism. Authors covered typically include T. S. Eliot, Virginia Woolf, Jean Rhys and W. B. Yeats.

Interconnected global crises and states of ‘polycrises’ or ‘wicked problems’ impact upon the daily lives of millions of people across the globe. Environmental, financial, security, diplomatic, political and military concerns all pose acute problems of knowledge and understanding, require individual and collective action, and raise questions around duties and rights for addressing multi-faceted complex problems.

Philosophical reasoning can play a key role in helping individuals, politicians, states and societies navigate these challenges, and in shaping and critiquing the principles for taking action. In this module you will actively work on developing your own philosophical contributions to addressing global crises, studying topics which may include:

• Themes from social epistemology, including the difficulty of creating shared knowledge in the face of societal challenges; institutions for scrutinising as well as disseminating knowledge claims; the need for diverse perspectives on so-called wicked problems, and also the challenges of combining and reconciling these.

• Themes from the philosophy of collective action and metaphysics, including the ways in which human beings can cooperate outside of formal institutions and create new institutions to address societal and international problems, as well as problems of diffuse responsibility amid complex or changing social structures.

• Themes from political philosophy, such as the difficulties and strengths of democratic institutions and the compromises they require; the challenges of reconciliation and institution-building after war and conflict; the challenges democracies face in light of populism, authoritarianism, corruption in the democratic process, and problems of disinformation.

Over the course of this module you will learn how different philosophical approaches can help us to think our way through our own responsibilities in these times, offering different perspectives on the various roles we can play in surviving, and even flourishing, in times of global crisis.

In this module you will develop either a single extended piece or a portfolio of independent philosophical work. This may take the form of either (1) a philosophical dissertation or (2) a communication and engagement portfolio of outward-facing philosophical work targeting a diverse range of audiences.

1) Dissertation

Independent research and sustained long-form writing making up the core of professional academic philosophical study. With the Dissertation option, you have the opportunity to demonstrate your research and writing ability via completion of an independent dissertation project.

You will identify a specific philosophical topic from the wide range of research specialisms within Philosophy at Lancaster and, together with your allocated dissertation supervisor, develop a clear research question. you'll then engage with relevant primary and secondary texts to construct a compelling philosophical argument over a sustained piece of writing.

2) Communication and Engagement Portfolio

From public philosophy articles and podcasts to social media posts, science communications and policy advisory notes, academic philosophers regularly engage with, inform and persuade audiences beyond academia. This requires clear, compelling arguments and an understanding of the target audience.

With the Portfolio option, you will apply the philosophical skills and knowledge gained during your degree to communicate ideas to wider audiences. Working with your supervisor, and choosing from amongst the wide range of philosophical specialisms at Lancaster, you will develop a philosophical claim or perspective on a topic, engage in structured workshops to practice writing and presenting for diverse platforms, discuss your work with peers, and complete a portfolio of public-facing philosophy pieces across multiple media.

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Whichever option you choose, this module is an opportunity for you to complete your undergraduate student journey by demonstrating that you can expand on the knowledge base you have developed through your degree, and use the philosophical skills your programme has helped you develop, to produce your own independent work in philosophy. In doing so, this module will help you demonstrate, and further develop, your advanced research and communication skills, preparing you for both further academic study in philosophy and for professional roles that require skills in research, critical thinking and independent thought.

Engage with cutting-edge philosophical research, working with an academic philosopher on the topic of their live philosophical project and expertise. In this module you may be:

• Reviewing and critically commenting on the chapters of a manuscript

• Reading an academic’s recent publications and coming up with further questions and challenges to build on their ideas

• Discussing your module supervisor's new research and it's relevancy to contemporary philosophical debates

In student-led and discussion-based workshops you will present your own summaries and arguments, take part in guided debates, and work on the challenge of your final written piece: a paper which is not only informed by, but may itself eventually inform, current debates within the discipline. In doing so you will be joining the practice, shared by all professional philosophers, of contributing to the understanding and development of the field itself.

The specific question/s you will work on will vary year by year, but will be drawn from the interests and expertise of Lancaster's philosophy staff. They might include, for example:

• What is the best life for a human being

• What do psychiatric diagnoses mean

• What is personhood and what entities can be persons

• How can we respect human autonomy while making public policy

• What can combatant experience teach us about the ethics of war

One or more options will be offered each year.

In studying this module, you will deploy the skills you have developed in the first two years of your degree, gain in-depth knowledge of an important area of contemporary philosophical inquiry, and further sharpen skills in argument and critique – critical skills for both postgraduate study and a range of post-study careers.

Study key texts and contexts from a short but remarkably intense period of literary history. Encompassing the work of writers such as Wordsworth, Blake, Keats and Shelley, you will explore the role of nature, the imagination and the sublime. You will also consider the emergence of the Gothic tradition and examine the interactions between literary and politics in a turbulent era of revolution and change.

Ben Jonson claimed of Shakespeare ‘he was not of an age but for all time.’ This module, however, examines Shakespearean drama and poetry in its own time and as a platform in which early modern debates about agency and government, family and national identity, were put into play. The stage was and is a place in which questions of gender, class and race, gain immediacy through the bodies and voices of actors.

By examining texts from across Shakespeare’s career, you will explore their power to shape thoughts and feelings in both their own age and in ours. You will consider how, in the past and in the present, Shakespeare’s texts exploit the emotional and political possibilities of poetry and drama.

The assessment of this module normally concludes with either an essay OR a creative engagement (e.g. reading, performance, artwork) plus critical reflection.

What is critical theory? Why is it one of the most controversial areas of contemporary culture today? And to what extent do theoretical ideas about power, race, gender and identity change the way we think about the world?

On this module you will explore a range of classic and contemporary themes, trends and topics in critical theory from the 1960s to the present. You’ll take a deep dive into key thinkers like Foucault, Deleuze and Agamben and key concepts like biopolitics, globalisation and animal studies.